{"id":68,"date":"2025-12-09T12:10:31","date_gmt":"2025-12-09T11:10:31","guid":{"rendered":"https:\/\/iesa.sapikdesign.com\/mcdoa2-aa\/lea\/?p=68"},"modified":"2025-12-09T18:09:46","modified_gmt":"2025-12-09T17:09:46","slug":"elementor-68","status":"publish","type":"post","link":"https:\/\/iesa.sapikdesign.com\/mcdoa2-aa\/lea\/elementor-68\/","title":{"rendered":"Sur le chemin de la croyance"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"68\" class=\"elementor elementor-68\">\n\t\t\t\t<div class=\"elementor-element elementor-element-58c1bab e-flex e-con-boxed e-con e-parent\" data-id=\"58c1bab\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-2628c39 elementor-widget elementor-widget-heading\" data-id=\"2628c39\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Aux seui<b>ls de la croyance<\/b><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-316ac98 elementor-widget elementor-widget-image\" data-id=\"316ac98\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"242\" height=\"300\" src=\"https:\/\/iesa.sapikdesign.com\/mcdoa2-aa\/lea\/wp-content\/uploads\/2025\/12\/IMG_3754-242x300.jpeg\" class=\"attachment-medium size-medium wp-image-72\" alt=\"img 3754\" srcset=\"https:\/\/iesa.sapikdesign.com\/mcdoa2-aa\/lea\/wp-content\/uploads\/2025\/12\/IMG_3754-242x300.jpeg 242w, https:\/\/iesa.sapikdesign.com\/mcdoa2-aa\/lea\/wp-content\/uploads\/2025\/12\/IMG_3754-827x1024.jpeg 827w, https:\/\/iesa.sapikdesign.com\/mcdoa2-aa\/lea\/wp-content\/uploads\/2025\/12\/IMG_3754-768x951.jpeg 768w, https:\/\/iesa.sapikdesign.com\/mcdoa2-aa\/lea\/wp-content\/uploads\/2025\/12\/IMG_3754-1241x1536.jpeg 1241w, https:\/\/iesa.sapikdesign.com\/mcdoa2-aa\/lea\/wp-content\/uploads\/2025\/12\/IMG_3754.jpeg 1320w\" sizes=\"(max-width: 242px) 100vw, 242px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-f2a2b9c e-flex e-con-boxed e-con e-parent\" data-id=\"f2a2b9c\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-84bb499 elementor-widget elementor-widget-text-editor\" data-id=\"84bb499\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><em>Hoyas Christophe, H\u00e9cate, Huile sur toile, 2021, 73&#215;60 cm<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-4eae5f5 e-flex e-con-boxed e-con e-parent\" data-id=\"4eae5f5\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-32d8ae9 elementor-drop-cap-yes elementor-drop-cap-view-default elementor-widget elementor-widget-text-editor\" data-id=\"32d8ae9\" data-element_type=\"widget\" data-settings=\"{&quot;drop_cap&quot;:&quot;yes&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<h6 class=\"sr-only\">\u00a0<\/h6><div class=\"text-base my-auto mx-auto [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"><div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"><div class=\"flex max-w-full flex-col grow\"><div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+&amp;]:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"f4e8a423-da9a-4fa5-b2e7-35c307f237fc\" data-message-model-slug=\"gpt-5-1\"><div class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"><div class=\"markdown prose dark:prose-invert w-full break-words dark markdown-new-styling\"><p>La croyance, dans son sens le plus simple, d\u00e9signe l\u2019adh\u00e9sion \u00e0 des id\u00e9es ou \u00e0 des valeurs sans que la raison, l\u2019exp\u00e9rience ou la d\u00e9monstration ne les aient \u00e9tablies. Elle repose sur une confiance premi\u00e8re, sur une parole, un r\u00e9cit, un mythe, ind\u00e9pendamment de toute preuve. Comme l\u2019\u00e9crit Emmanuel Bourdieu, \u00ab <em>la croyance pr\u00e9c\u00e8de toujours les exp\u00e9riences ou les arguments<\/em> \u00bb. D\u00e8s que l\u2019on produit des preuves, l\u2019objet cesse d\u2019\u00eatre croyance : il devient v\u00e9rit\u00e9. Ainsi peut-on comprendre la formule attribu\u00e9e \u00e0 saint Augustin : \u00ab<em> j\u2019y crois parce que c\u2019est absurde<\/em> \u00bb.<\/p><p data-start=\"565\" data-end=\"1204\">Longtemps, les croyances ont \u00e9t\u00e9 associ\u00e9es \u00e0 des univers r\u00e9put\u00e9s non rationnels. Les sciences sociales ont d\u2019abord observ\u00e9 les \u00ab<em> tribus primitives<\/em> \u00bb ou les mondes populaires, comme si la croyance n\u2019appartenait pas \u00e0 l\u2019Occident \u00e9clair\u00e9. Mais ces approches ont \u00e9t\u00e9 contest\u00e9es : tout savoir peut \u00eatre remis en question, et pour Paul Veyne, il \u00ab <em>n\u2019existe que des programmes h\u00e9t\u00e9rog\u00e8nes de v\u00e9rit\u00e9<\/em> \u00bb. Freud voyait dans les dogmes des illusions nourries par les d\u00e9sirs humains ; Mauss rappelait que la foi pr\u00e9c\u00e8de l\u2019exp\u00e9rience. Et, comme l\u2019\u00e9crit Jeanne Favret-Saada, \u00e9tudier les croyances d\u2019autrui revient souvent \u00e0 leur refuser toute v\u00e9rit\u00e9 possible.<\/p><p data-start=\"1206\" data-end=\"1745\">Nous croyons tous \u00e0 des choses dont nous n\u2019avons ni l\u2019exp\u00e9rience directe ni la d\u00e9monstration : la forme de la Terre, les \u00e9quations de la physique, l\u2019existence d\u2019\u00e9v\u00e9nements historiques. Ces croyances viennent de la famille, de l\u2019\u00e9cole, de la culture. Elles fa\u00e7onnent nos fa\u00e7ons d\u2019\u00eatre sans que nous en ayons conscience. Certaines, racisme, machisme, n\u2019ont m\u00eame pas besoin d\u2019\u00eatre formul\u00e9es pour agir puissamment. Wittgenstein notait qu\u2019il est difficile de percevoir le manque de fondement de nos propres croyances : nous y sommes immerg\u00e9s.<\/p><p data-start=\"1747\" data-end=\"2061\">Aujourd\u2019hui, certaines croyances se diffusent sous des formes pr\u00e9sent\u00e9es comme rationnelles, comme la croyance \u00e9conomique n\u00e9olib\u00e9rale analys\u00e9e par Fr\u00e9d\u00e9ric Lebaron. Selon Jean-Pierre Vernant, un v\u00e9ritable rationalisme suppose une discussion ouverte ; lorsque le d\u00e9bat se ferme, les croyances reprennent leur place.<\/p><p data-start=\"2063\" data-end=\"2472\">Ces tensions entre confiance, transmission, illusion et v\u00e9rit\u00e9 se retrouvent au c\u0153ur des images. L\u2019image peut susciter une v\u00e9n\u00e9ration dangereuse, menant \u00e0 l\u2019idol\u00e2trie. Ce n\u2019est pas la figuration en elle-m\u00eame que condamne le D\u00e9calogue, mais la cr\u00e9ation d\u2019une image cultuelle. L\u2019artiste devient alors un possible blasph\u00e9mateur, imitation imparfaite de l\u2019acte divin, incapable d\u2019insuffler la vie \u00e0 ce qu\u2019il cr\u00e9e.<\/p><p data-start=\"2474\" data-end=\"2811\">En Occident, le Concile de Trente a clarifi\u00e9 le statut des images sacr\u00e9es : elles ne doivent pas \u00eatre honor\u00e9es pour elles-m\u00eames, mais pour ce qu\u2019elles repr\u00e9sentent. Les arts sacr\u00e9s deviennent ainsi un moyen d\u2019exprimer la magnificence du divin ; l\u2019objet d\u2019art porte la pr\u00e9ciosit\u00e9 du sacr\u00e9, qu\u2019il soit fa\u00e7onn\u00e9 par un artisan ou un artiste.<\/p><p data-start=\"2813\" data-end=\"3058\" data-is-last-node=\"\" data-is-only-node=\"\">Ainsi, croire et repr\u00e9senter proc\u00e8dent d\u2019un m\u00eame mouvement : une adh\u00e9sion pr\u00e9alable, un rapport au monde qui pr\u00e9c\u00e8de l\u2019explication. L\u2019art devient alors un lieu privil\u00e9gi\u00e9 pour percevoir, interroger et ressentir les croyances qui nous traversent.<\/p><\/div><\/div><\/div><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-6c74bd7 e-flex e-con-boxed e-con e-parent\" data-id=\"6c74bd7\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-3753f17 e-flex e-con-boxed e-con e-parent\" data-id=\"3753f17\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Aux seuils de la croyance Hoyas Christophe, H\u00e9cate, Huile sur toile, 2021, 73&#215;60 cm \u00a0 La croyance, dans son sens le plus simple, d\u00e9signe l\u2019adh\u00e9sion \u00e0 des id\u00e9es ou \u00e0 des valeurs sans que la raison, l\u2019exp\u00e9rience ou la d\u00e9monstration ne les aient \u00e9tablies. Elle repose sur une confiance premi\u00e8re, sur une parole, un r\u00e9cit, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"none","_seopress_titles_title":"","_seopress_titles_desc":"Aux seuils de la croyance : introduction sur la perception des croyances de l'Homme au travers de l'art, ou bien comment l'Homme a-t-il cr\u00e9\u00e9 ces croyances au fil de l'Histoire ?","_seopress_robots_index":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-68","post","type-post","status-publish","format-standard","hentry","category-articles","entry"],"_links":{"self":[{"href":"https:\/\/iesa.sapikdesign.com\/mcdoa2-aa\/lea\/wp-json\/wp\/v2\/posts\/68","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iesa.sapikdesign.com\/mcdoa2-aa\/lea\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iesa.sapikdesign.com\/mcdoa2-aa\/lea\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iesa.sapikdesign.com\/mcdoa2-aa\/lea\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/iesa.sapikdesign.com\/mcdoa2-aa\/lea\/wp-json\/wp\/v2\/comments?post=68"}],"version-history":[{"count":6,"href":"https:\/\/iesa.sapikdesign.com\/mcdoa2-aa\/lea\/wp-json\/wp\/v2\/posts\/68\/revisions"}],"predecessor-version":[{"id":89,"href":"https:\/\/iesa.sapikdesign.com\/mcdoa2-aa\/lea\/wp-json\/wp\/v2\/posts\/68\/revisions\/89"}],"wp:attachment":[{"href":"https:\/\/iesa.sapikdesign.com\/mcdoa2-aa\/lea\/wp-json\/wp\/v2\/media?parent=68"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/iesa.sapikdesign.com\/mcdoa2-aa\/lea\/wp-json\/wp\/v2\/categories?post=68"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iesa.sapikdesign.com\/mcdoa2-aa\/lea\/wp-json\/wp\/v2\/tags?post=68"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}